Publications

Current highlight publications

[131]   Carbon, C. C., & Gebauer, F. (2017). The Safe-Range-Inventory (SRI): An assistance tool for optimizing the charging infrastructure for electric vehicles. Journal: Transportation Research Part F: Psychology and Behaviour, 47, 101-113. {IF=1.444} [PDF]

[128]    Muth, C., Hesslinger, V. M., & Carbon, C. C. (in press). Variants of Semantic Instability (SeIns) in the arts. A classification study based on experiential reports. Psychology of Aesthetics, Creativity, and the Arts. {IF=2.224}

[126]    Carbon, C. C. (2017). Universal principles of depicting oneself across the centuries: From Renaissance self-portraits to selfie-photographs. Frontiers in Psychology: Human-Media Interaction, 8(245). {IF=2.463} [DirectLink Frontiers]

[125]    Carbon, C. C. (2017). Art perception in the museum: How we spend time and space in art exhibitions. i-Perception, 8(1), 1.15. {IF=1.813} [PDF]

[127]    Wirth, B. E., & Carbon, C. C. (in press). An easy game for frauds? Effects of professional experience and time pressure on passport-matching performance. Journal of Experimental Psychology: Applied. {IF=2.355}

[122]    Carbon, C. C. (2016). The folded paper size illusion: Evidence of inability to perceptually integrate more than one geometrical dimension. i-Perception, 7(4), 1-5. {IF=1.813} [PDF][DirectLink i-Perception]

[120]    Hesslinger, V.. M. & Carbon, C. C. (2016). #TheDress: The role of illumination information and individual differences in the psychophysics of perceiving white‐blue ambiguities. i-Perception, 7(2), 1-10. {IF=1.813} [PDF][DirectLink i-Perception]

[117]    Gebauer, F., Vilimek, R., Keinath, A. & Carbon, C. C. (2016). Changing attitudes towards e-mobility by actively elaborating fast-charging technology.Technological Forecasting and Social Change, 106, 31-36. {IF=2.058} [PDF][DirectLink TFSC]

[112]    Muth, C., & Carbon, C. C. (2016). SeIns: Semantic Instability in Art. Art & Perception, 4, 145-184. [PDF]

A famous artwork is shown as it is viewed by an artificial neural network

[111]    Carbon, C. C., & Hesslinger, V. M. (2015). Restoring depth to Leonardo’s Mona Lisa. Was La Gioconda the model for one of the world’s earliest attempts at threedimensional imaging? American Scientist, 103(6), 404-409. {IF=0.556} [DirectLink American Scientist]

[109]    Lueschow, A., Weber, J. E., Carbon, C. C., Deffke, I., Sander, T., Grueter, T., Grueter, M., Trahms, L., & Curio, G. (2015). The 170ms response to faces as measured by MEG (M170) is consistently altered in congenital prosopagnosia. PlosOne, 10(9), e0137624. {IF=3.534} [PDF][DirectLink PlosOne]

[107]    Utz, S., & Carbon, C. C. (2015). Afterimages are biased by top-down information. Perception, 44(1), 1263-1274. {IF=1.114} [DirectLink Perception]

[103]    Muth, C., Raab, M. H., & Carbon, C. C. (2015). The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP). Frontiers in Psychology, 6, 365. {IF=2.843} [DirectLink Frontiers]

[102]   Muth, C., Hesslinger, V. M., & Carbon, C. C. (2015). The Appeal of Challenge in the Perception of Art: How Ambiguity, Solvability of Ambiguity and the Opportunity for Insight Affect Appreciation. Psychology of Aesthetics, Creativity, and the Arts, 9(3), 206-216 {IF= 1.787} [PDF]

[099]    Carbon, C. C. (2014). Understanding human perception by human-made illusions. Frontiers in Human Neuroscience, 8(566), 1-6. {IF=2.906} [DirectLink Frontiers]

[090]    Albrecht, S. & Carbon, C. C. (2014). The Fluency Amplification Model: Fluent stimuli show more intense but not evidently more positive evaluations. Acta Psychologica, 148, 195-203. {IF=2.206} [PDF]

[084]    Carbon, C. C. & Hesslinger, V. M. (2013). Da Vinci’s Mona Lisa entering the next dimension. Perception, 42(8), 887-893. {IF=1.311} [PDF][press material]

[082]    Ditye, T., Javadi, A. H., Carbon, C. C., & Walsh, V. (2013). Sleep links sensory adaptation to memory.Proceedings of the Royal Society of London: Biological Sciences, 280(1769), 1-8. {IF=5.863} [PDF]


Peer-reviewed publications

Legal note: PDF are provided for convenience, in order to share scientific findings with colleagues. Because some of these files are copyrighted, please download only if you or your institution has a subscription to the journal.

{cIF-all > 430}

2017 and 'in press'  

[136]    Muth, C., Albrecht, S., & Carbon, C. C. (in press). Affect and self-efficacy infuse the experience of ambivalent photographs. Psihologija. {IF=0.333}

[135]    Carbon, C. C., & Gebauer, F. (in press). Data and material of the Safe-Range-Inventory: An assistance tool helping to improve the charging infrastructure for electric vehicles. Data in Brief. {IF=n.a.}

[134]    Ortlieb, S. A., Stojilović, I., Rutar, D., Fischer, U. C., & Carbon, C. C. (in press). On kitsch and kič: Comparing kitsch concepts from Bavaria, Serbia and Slovenia. Psihologija. {IF=0.333}

[133]    Schneider, T. M., & Carbon, C. C. (2017). Taking the perfect selfie: Investigating the impact of perspective on the perception of higher cognitive variables. Frontiers in Psychology, 8(971). {IF=2.463} [DirectLink Frontiers]

[132]    Ayana Abdi, T., Hailu, B. H., Andualem Adal, van Gelder, T. P. H. A. J. M., Hagenzieker, M. P., Carbon, C. C. (2017). Road crashes in Addis Ababa, Ethiopia: Empirical findings between the years 2010 and 2014. African Research Review: An international multi-disciplinary journal, 11(2), 1-13.

[131]    Carbon, C. C., & Gebauer, F. (2017). The Safe-Range-Inventory (SRI): An assistance tool for optimizing the charging infrastructure for electric vehicles. Journal: Transportation Research Part F: Psychology and Behaviour, 47, 101-113. {IF=1.444} [PDF]

[130]    Muth, C., Raab, M., & Carbon, C. C. (2017). Expecting the unexpected: How gallery-visitors experience Semantic Instability in art. Art & Perception, 5(2), 1-22.

[129]    Mongoven, C., & Carbon, C. C. (in press). Perceptibility of acoustic reflection symmetry. Musicae Scientiae. {IF=0.809} [PDF]

[128]    Muth, C., Hesslinger, V. M., & Carbon, C. C. (in press). Variants of Semantic Instability (SeIns) in the arts. A classification study based on experiential reports. Psychology of Aesthetics, Creativity, and the Arts. {IF=2.224} [PDF]

[127]    Wirth, B. E., & Carbon, C. C. (2017). An easy game for frauds? Effects of professional experience and time pressure on passport-matching performance. Journal of Experimental Psychology: Applied, 23(2), 138-157. {IF=2.355}

[126]    Carbon, C. C. (2017). Universal principles of depicting oneself across the centuries: From Renaissance self-portraits to selfie-photographs. Frontiers in Psychology: Human-Media Interaction, 8(245), 1-9. {IF=2.463} [DirectLink Frontiers]

[125]    Carbon, C. C. (2017). Art perception in the museum: How we spend time and space in art exhibitions. i-Perception, 8(1), 1.15. {IF=1.813} [PDF]

2016  

[124]    Utz, S., & Carbon, C. C. (2016). Is the Thatcher Illusion modulated by face familiarity? Evidence from an eye tracking study. PLoS One, 11(10), e0163933. {IF=3.057} [PDF]

[123]    Gebauer, F., Raab, M. H., & Carbon, C. C. (2016). Back to the USSR: How colors might shape the political perception of East vs. West. i-Perception. {IF=1.831} [PDF]

[122]    Gebauer, F., Raab, M. H., & Carbon, C. C. (2016). Conspiracy formation is in the detail: On the interaction of conspiratorial predispositions and semantical cues. Applied Cognitive Psychology, 30(6), 917-924. {IF=1.481}

[121]    Carbon, C. C. (2016). The folded paper size illusion: Evidence of inability to perceptually integrate more than one geometrical dimension. i-Perception, 7(4), 1-5. {IF=1.813} [PDF][DirectLink i-Perception]

[120]    Röder, S., Carbon, C. C., Shackelford, T. K., Pisanski, K., Weege, B., & Fink, B. (2016). Men’s visual attention to and perceptions of women’s dance movements. Personality and Individual Differences, 101, 1-3. {IF=1.861} [PDF]

[119]    Hesslinger, V.. M. & Carbon, C. C. (2016). #TheDress: The role of illumination information and individual differences in the psychophysics of perceiving white‐blue ambiguities. i-Perception, 7(2), 1-10. {IF=1.813} [PDF][DirectLink i-Perception]

[118]    Ortlieb, S., Fischer, U. C., & Carbon, C. C. (in press). Enquiry into the Origin of Our Ideas of the Sublime and Beautiful: Is there a Male Gaze in Empirical Aesthetics? Art & Perception. [PDF]

[117]    Gebauer, F., Vilimek, R., Keinath, A. & Carbon, C. C. (2016). Changing attitudes towards e-mobility by actively elaborating fast-charging technology.Technological Forecasting and Social Change, 106, 31-36. {IF=2.058} [PDF][DirectLink TFSC]

[116]    Muth, C., Raab, M. H., & Carbon, C. C. (2016). Semantic stability is more pleasurable in unstable episodic contexts. On the relevance of perceptual challenge in art appreciation. Frontiers in Human Neuroscience, 10(43). {IF=3.626} [DirectLink Frontiers]

[115]    Gebauer, F., Raab, M. H., & Carbon, C. C. (2016). Imagine all the forces: The impact of threatening news coverage on the willingness to militarily engage in the resurgence of the East vs. West conflict. Journal of Media Psychology-Theories Methods and Applications. {IF=0.882} [PDF]

[114]    Carbon, C. C. (2016). Creating a framework for holistic assessment of aesthetics. A response to Nilsson and Axelsson (2015) on attributes of aesthetic quality of textile quality. Perceptual and Motor Skills, 122(1), 96-100. {IF=0.546} [PDF][DirectLink PMS]

[113]    Muth, C., & Carbon, C. C. (2016). SeIns: Semantic Instability in Art. Art & Perception, 4, 145-184. {IF=to be calculated} [PDF]

[112]    Carbon, C. C., & Albrecht, S. (2016). The Fluency Amplification Model supports the GANE principle of arousal enhancement. Behavioral and Brain Sciences (BBS), 39, 22-23. {IF=20.771} [PDF]

2015 {cIF= 21.271}

[111]    Carbon, C. C., & Hesslinger, V. M. (2015). Restoring depth to Leonardo’s Mona Lisa. Was La Gioconda the model for one of the world’s earliest attempts at threedimensional imaging? American Scientist, 103(6), 404-409. {IF=0.556} [DirectLink American Scientist]

[110]    Weth, K., Raab, M., & Carbon, C. C. (2015). Investigating emotional responses to self-selected sad music via self-report and automated facial analysis. Musicae Scientiae, 19(4), 412-432. {IF=0.809} [PDF]

[109]    Lueschow, A., Weber, J. E., Carbon, C. C., Deffke, I., Sander, T., Grueter, T., Grueter, M., Trahms, L., & Curio, G. (2015). The 170ms response to faces as measured by MEG (M170) is consistently altered in congenital prosopagnosia. PlosOne, 10(9), e0137624. {IF=3.534} [PDF][DirectLink PlosOne]

[108]    Belke, B., Leder, H., & Carbon, C. C. (2015). When challenging art gets liked: Evidences for a dual preference formation process for fluent and non-fluent portraits. PlosOne, 10(8), e0131796. {IF=3.534} [PDF][DirectLink PlosOne]

[107]    Utz, S., & Carbon, C. C. (2015). Afterimages are biased by top-down information. Perception, 44(1), 1263-1274. {IF=1.114} [DirectLink Perception]

[106]    Röder, S., Weege, B., Carbon, C. C., Shackelford, T. K., & Fink, B. (2015). Men's perception of women's dance movements depends on mating context, but not men's sociosexual orientation. Personality and Individual Differences, 86, 172-175. {IF=1.861} [PDF]

[105]    Carbon, C. C. (2015). The moon as a tiny bright disc. Insights from observations in the planetarium. Perception, 44(7), 421-424. {IF=1.114} [PDF][DirectLink Perception]

[104]    Hesslinger, V. M., Goldbach, L. & Carbon, C. C. (2015). Men in red: A reexamination of the red-attractiveness effect. Psychonomic Bulletin & Review, 22(4),1142-1148. {IF=2.986} [PDF]

[103]    Muth, C., Raab, M. H., & Carbon, C. C. (2015). The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP). Frontiers in Psychology, 6, 365. {IF=2.843} [PDF][DirectLink Frontiers]

[102]    Muth, C., Hesslinger, V. M., & Carbon, C. C. (2015). The Appeal of Challenge in the Perception of Art: How Ambiguity, Solvability of Ambiguity and the Opportunity for Insight Affect Appreciation. Psychology of Aesthetics, Creativity, and the Arts, 9(3), 206-216. {IF= 1.787} [PDF]

[101]    Carbon, C. C. & Hesslinger, V. M. (2015). On the nature of the background behind Mona Lisa. Leonardo, 48(2), 182-184. {IF=n.a.} [PDF]

[100]    Harsányi, G., & Carbon, C. C. (2015). How perception affects racial categorization: On the influence of initial visual exposure on labelling people as diverse individuals or racial subjects. Perception, 44(1), 100-102. {IF=1.114} [PDF]

 

2014 {cIF= 17.095}

[099]    Carbon, C. C. (2014). Understanding human perception by human-made illusions. Frontiers in Human Neuroscience, 8(566), 1-6. {IF=2.906} [PDF][DirectLink Frontiers]

[098]    Cattaneo, Z., Schiavi, S., Lega, C., Renzi, C., Tagliaferri, M., Boehringer, J., Carbon, C. C., & Vecchi, T. (2014). Biases in spatial bisection induced by viewing male and female faces. Experimental Psychology, 61(5), 368-377. {IF=1.921} [PDF]

[097]    Guevara-Rojas, G., Figl, M., Schicho, K., Seemann, R., Traxler, H., Vacariu, A., Carbon, C. C., Ewers, R., & Watzinger, F. (2014). Patient-specific polyetheretherketone facial implants in a computer-aided planning workflow. Journal of Oral and Maxillofacial Surgery, 72(9), 1801-1812. {IF=1.333} [PDF]

[096]    Haertel, M., & Carbon, C. C. (2014). Is this a “Fettecke” or just a “greasy corner”? About the capability of laypersons to differentiate between art and non-art via object’s originality. i-Perception, 5(7), 602-610. {IF=1.482} [PDF][DirectLink i-Perception]

[095]    Wolz, S., & Carbon, C. C. (2014). What’s wrong with an art fake? Cognitive and emotional variables influenced by authenticity status of artworks. Leonardo, 47(5), 467-473. {IF=n.a.} [PDF]

[094]    Leidenfrost, B., Strassnig, B., Schütz, M., Carbon, C. C., & Schabmann, A. (2014). The impact of peer mentoring on mentee academic performance: Is any mentoring style better than no mentoring at all? International Journal of Teaching and Learning in Higher Education, 26(1), 102-111. {IF=n.a.} [PDF][link to WWW]

[093]    Carbon, C. C. & Hesslinger, V. M. (2014). Stable aesthetic standards delusion: Changing “artistic quality” by elaboration. Perception, 43, 1006-1013. {IF=1.311} [PDF]

[092]    Cattaneo, Z., Renzi, C., Bona, S., Merabet, L. B., Carbon, C. C., & Vecchi, T. (2014). Hemispheric asymmetry in discriminating faces differing for featural or configural (second-order relations) aspects. Psychonomic Bulletin & Review, 21(2), 363-369. {IF=2.248} [PDF]

[091]    Carbon, C. C. & Schwarz, M. E. (2014). The share price neglect: Inverse exponential relation between stock share price and risk tolerance. International Journal of School Psychology and Cognitive Psychology, 1(102), 1-7. {IF=n.a.} [PDF]

[090]    Albrecht, S. & Carbon, C. C. (2014). The Fluency Amplification Model: Fluent stimuli show more intense but not evidently more positive evaluations. Acta Psychologica, 148, 195-203. {IF=2.206} [PDF]

[089]    Carbon, C. C., & Wirth, B. E. (2014). Neanderthal paintings? Production of prototypical human (homo sapiens) faces shows systematic distortions. Perception, 43, 99-102. {IF=1.311} [PDF]

[088]    Cattaneo, Z., Lega, C., Boehringer, J., Girelli, L. & Carbon, C. C. (2014). Happiness takes you right: The effect of emotional stimuli on line bisection. Cognition and Emotion, 28(2), 325-344. {IF=2.377} [PDF]

 

 

2013  {cIF= 73.286}

 

[087]    Carbon, C. C., Grüter, M. & Grüter, T. (2013). Age-dependent face detection and face categorization performance. PlosOne, 8(10), e79164. {IF=3.730} [PDF][DirectLink Plos]

[086]   Planinc, R., Kampel, M., Ortlieb, S., & Carbon, C. C. (2013). User-centered design and evaluation of an ambient event detector based on a balanced scorecard approach. Journal on Advances in Life Sciences, 5(3&4), 237-249. {IF=to be calculated} [PDF]

[085]    Carbon, C. C., & Deininger, P. (2013). Golden perception: Simulating perceptual habits of the past. i-Perception, 4(6), 468-476. {IF=1.482} [PDF][link to WWW]

[084]    Carbon, C. C. & Hesslinger, V. M. (2013). Da Vinci’s Mona Lisa entering the next dimension. Perception, 42(8), 887-893. {IF=1.311} [PDF][additional press material]

[083]    Renzi, C., Schiavi, S., Carbon, C. C., Vecchi, T., Silvanto, J., & Cattaneo, Z. (2013). Processing of featural and configural aspects of faces is lateralized in dorsolateral prefrontal cortex: A TMS study. Neuroimage, 74, 45-51. {IF=6.252} [PDF]

[082]    Ditye, T., Javadi, A. H., Carbon, C. C., & Walsh, V. (2013). Sleep links sensory adaptation to memory. Proceedings of the Royal Society of London: Biological Sciences, 280(1769), 1-8. {IF=5.863} [PDF][link to WWW][Science News][Science PDF]

[081]    Carbon, C. C. (2013). Creating a framework for experimentally testing early visual processing. A response to Nurmoja et al.’s article on trait perception from pixelized faces. Perceptual and Motor Skills, 117(1), 1-4. {IF=0.655} [PDF]

[080]    Raab, M., Auer, N., Ortlieb, S. & Carbon, C. C. (2013). The Sarrazin effect: the presence of absurd statements in conspiracy theories makes canonical information less plausible. Frontiers in Personality Science and Individual Differences, 4(453), 1-8. {IF=forthcoming} [PDF][Frontiers]

[079]    Raab, M., Ortlieb, S., Guthmann, K., Auer, N., & Carbon, C. C. (2013). Thirty shades of truth: Conspiracy theories as stories of individuation, not of pathological delusion. Frontiers in Personality Science and Individual Differences, 4(406), 1-9. {IF=forthcoming} [PDF][Frontiers]

[078]    Carbon, C. C., & Hesslinger, V. M. (2013). Attitudes and cognitive distances: On the non-unitary and flexible nature of cognitive maps. Advances in Cognitive Psychology, 9(3), 121-129. {IF=1.690} [PDF]

[077]    Strobach, T., & Carbon, C. C. (2013). Face adaptation effects: Reviewing the impact of adapting information, time, and transfer. Frontiers in Perception Science, 4(318), 1-12. {IF=n.a.} [PDF]

[076]    Muth, C., & Carbon, C. C. (2013). The Aesthetic Aha: On the pleasure of having insights into Gestalt. Acta Psychologica, 144(1), 25-30. {IF=2.255} [PDF]

[075]    Carbon, C.C., Faerber, S. J., Gerger, G., Forster, M., & Leder, H. (2013). Innovation is appreciated when we feel safe: On the situational dependence of the appreciation of innovation. International Journal of Design, 7(2), 43-51. {IF=0.632} [PDF]

[074]    Schneider, T. M., Hecht, H., Stevanov, J. & Carbon, C. C. (2013). Cross-ethnic assessment of body weight and height on the basis of faces. Personality and Individual Differences, 55, 356-360. {IF=1.877} [PDF]

[073]    Cattaneo, Z., Vecchi, T., Monegato, M., Pece, A., Merabet, L. & Carbon, C. C. (2013). Strabismic amblyopia affects relational but not featural and holistic processing of faces. Vision Research, 80, 19-30. {IF=2.414} [PDF]

[072]    Carbon, C. C., & Hesslinger, V. M. (2013). Navigating through a volumetric world does not imply needing a full 3D-representation. Behavioral Brain Sciences, 36, 547-548. {IF=25.056} [PDF]

[071]    Muth, C., Pepperell, R. & Carbon, C. C. (2013). Give me Gestalt! Preference for Cubist artworks depicting highly detectable objects. Leonardo, 46(5), 488-489. {IF=forthcoming} [PDF]

[070]    Carbon, C. C. (2013). German Bundesrat proposes 2nd usage of publicly funded research. Current Science, 104(3), 283-283. {IF=0.935} [PDF]

[069]    Faerber, S. J., & Carbon, C. C. (2013). Jump on the innovator's train: Cognitive principles for creating appreciation in innovative product design. Research in Engineering Design, 24(3), 313-319. {IF=1.243} [PDF]

[068]    Schmid, U., Siebers, M., Folger, J., Schineller, S., Seuss, D., Raab, M., Carbon, C. C., & Faerber, S.J. (2013). A cognitive model for predicting esthetical judgements as similarity to dynamic prototypes. Cognitive Systems Research, 24, 72-79. {IF=1.173} [PDF]

[067]    Carbon, C. C., & Jakesch, M. (2013). A model for haptic aesthetic processing and its implications for design. Proceedings of the IEEE, 101(9), 1-11. {IF=6.810} [PDF]

[066]    Carbon, C. C. (2013). BiDimRegression: Bidimensional regression modeling using R. Journal of Statistical Software, Code Snippets, 52(1), 1-11. {IF=4.091} [PDF][DirectLink JSS]


2012  {cIF= 16.264}

[065]    Carbon, C. C., & Albrecht, S. (2012). Bartlett’s schema theory: The unreplicated “portrait d’homme” series from 1932. Quarterly Journal of Experimental Psychology, 65(11), 2258–2270. [PDF] {IF=2.212}

[064]    Faerber, S. J., & Carbon, C. C. (2012). The power of liking: Highly sensitive aesthetic processing for guiding us through the world. i-Perception, 3, 553-561.{IF=1.482} [PDF]

[063]    Carbon, C. C. (2012). Dynamics of aesthetic appreciation. Human Vision and Electronic Imaging, 8291(1A), 1-6. {IF=n.a.} [PDF]

[062]    Augustin, M. D., Carbon, C. C., & Wagemans, J. (2012). Artful terms: A study on aesthetic word usage for visual art versus film and music. i-Perception, 3, 319-337. {IF=1.482} [PDF][DirectLink iPerception]

[061]    Schneider, T. M., Hecht, H., & Carbon, C. C. (2012). Judging body-weight from faces: The height-weight illusion. Perception, 41, 121-124. [PDF] {IF=1.293}

[060]    Jakesch, M., & Carbon, C. C. (2012). The Mere Exposure effect in the domain of haptics. PlosONE, 7(2), e31215. [PDF][DirectLink Plos] {IF=4.411}

[059]    Carbon, C. C., & Ditye, T. (2012). Face adaptation effects show strong and long-lasting transfer from lab to more ecological contexts. Frontiers in Perception Science, 3(3), 1-6. [PDF] {IF=forthcoming}

[058]    Carbon, C. C., & Schoormans, J. P. L. (2012). Rigidity rather than age as a limiting factor to appreciate innovative design. Swiss Journal of Psychology, 71(2), 51-58. [PDF] {IF=1.024}

[057]    Blijlevens, J., Carbon, C. C., Mugge, R., & Schoormans, J. P. L. (2012). Aesthetic appraisal of product designs: Independent effects of typicality and arousal. British Journal of Psychology, 103, 44-57. [PDF] {IF=2.114}

[056]    Augustin, M. D., Wagemans, J., & Carbon, C. C. (2012). All is beautiful? Generality vs. specificity of word usage in visual aesthetics. Acta Psychologica, 139(1), 187-201. [PDF] {IF=2.194}

 

2011 {cIF= 29.550}

 

[055]    Carbon, C. C. (2011). Cognitive mechanisms for explaining dynamics of aesthetic appreciation. i-Perception, 2, 708-719. {IF=1.482} [PDF][DirectLink iPerception]

[054]    Carbon, C. C. (2011). The first 100 milliseconds of a face: On the microgenesis of early face processing. Perceptual and Motor Skills, 113(3), 859-874. [PDF] {IF=0.550}

[053]    Carbon, C. C. (2011). The Carbon_h-Factor: Predicting individuals’ research impact at early stages of their career. PlosONE, 6(2), e28770. [PDF] {IF=4.411}

[052]    Strobach, T., Ditye, T., & Carbon, C. C. (2011). Long-term adaptation effects of highly familiar faces: The influence of inspection length during prior testing. Perception, 40, 1000-1004. [PDF] {IF=1.462}

[051]    Carbon, C. C., & Hesslinger, V. M. (2011). Bateson et al.’s (2006) Cues-of-being-watched paradigm revisited. Swiss Journal of Psychology, 70(4), 203-210. [PDF] {IF=1.024}

[050]    Augustin, M. D., Defranceschi, B., Fuchs, H. K., Carbon, C. C. & Hutzler, F. (2011). The neural time course of art perception: An ERP study on the processing of style versus content in art. Neuropsychologia, 49, 2071-2081.[PDF] {IF=4.345}

[049]    Leidenfrost, B., Strassnig, B., Schabmann, A., Spiel, C., & Carbon, C. C. (2011). Peer mentoring styles and their contribution to academic success among mentees: A person-oriented study in higher education. Mentoring & Tutoring: Partnership in Learning, 19(3), 347-364. [PDF] {n.a.}.

[048]    Jakesch, M., Zachhuber, M., Leder, H., Spingler, M. & Carbon, C. C. (2011). Scenario-based touching. On the influence of top-down processes on tactile and visual appreciation. Research in Engineering Design, 22(3), 143-152. [PDF] {IF=1.038}

[047]    Gerger, G., Leder, H., Faerber, S. J., & Carbon, C. C. (2011). When the others matter: Context-dependent effects on changes in appreciation of innovativeness. Swiss Journal of Psychology, 70(2), 75-83. [PDF] {IF=1.024}

[046]   Carbon, C. C., & Ditye, T. (2011). Sustained effects of adaptation on the perception of familiar faces. Journal of Experimental Psychology: Human Performance and Perception, 37(3), 615-625. [PDF] {IF=2.947}

[045]    Schoormans, J., Carbon, C. C., Gattol, V. (2011). “It’s time to take a stand”: Depicting crosshairs can indeed promote violence. Perception, 40(3), 371-372. [PDF]{IF=1.462}

[044]    Hergovich, A., Gröbl, K., & Carbon, C. C. (2011). The magic knife trick as an outlet for analyzing the perceptual limits of combined motion trajectories. Perception, 40(3), 358-366. [PDF]  {IF=1.462}

[043]    Grüter, T., Grüter, M., & Carbon, C. C. (2011). Congenital prosopagnosia. Diagnosis and mental imagery: Commentary on: Tree JJ, and Wilkie J. Face and object imagery in congenital prosopagnosia: A case series. Cortex, 47(4), 511-513.[PDF] {IF=4.050}

[042]    Gattol, V., Sääksjärvi, M. C., & Carbon, C. C. (2011). Extending the Implicit Association Test (IAT): Assessing consumer attitudes based on multi-dimensional implicit associations. Plos ONE, 6(1), e15849. [PDF][DirectLink Plos][PublicPress] {IF=4.351}

 

2010 {cIF= 77.542}

[041]    Grüter, T., & Carbon, C. C. (2010). Escaping attention. Some cognitive disorders can be overlooked. Science, 328(5977), 435-436. [PDF][Press Release (German)][FAZ][PsychologieHeute][NürnbergerNachrichten][ReutlingerGeneralanzeiger] {IF=28.103}

[040]    Belke, B., Leder, H., Strobach, T., & Carbon, C. C. (2010). Cognitive fluency: High-level processing dynamics in art appreciation. Psychology of Aesthetics, Creativity, and the Arts, 4(4), 214-222. [PDF] {IF=1.230}

[039]    Carbon, C. C., & Schoormans, J. P. L. (2010). And the winner is: Globalization. Olympic gold medals as indicator for a global world. Current Science, 99(1), 20-20. [PDF] {IF=0.782}

[038]    Faerber, S. J., Leder, H., Gerger, G., & Carbon, C. C. (2010). Priming semantic concepts affects the dynamics of aesthetic appreciation. Acta Psychologica, 135(2), 191-200.[PDF] {IF=2.155}

[037]    Carbon, C. C. (2010). Fundamental change in German research policy. Science, 328(5978), 569-569. [PDF][Press Release (German)] {IF=28.103}

[036]    Carbon, C. C. (2010). The Earth is flat when personally significant experiences with the sphericity of the Earth are absent. Cognition, 116(1), 130-135. [PDF][Press Release (German)][Pressetext][dpa-Interview][derStandard][LiveScience] {IF=3.481}

[035]    Carbon, C. C. (2010). The cycle of preference: long-term dynamics of design properties. Acta Psychologica, 134(2), 233-244. [PDF][LifeScience][Review1][Audio-Review1][ScienceNews] {IF=2.155}

[034]    Windhager, S., Hutzler, F., Carbon, C. C., Oberzaucher, E., Schaefer, K., Thorstensen, T., Leder, H., & Grammer, K. (2010). Laying eyes on headlights: Eye movements reveal facial features in cars. Collegium Antropologicum, 34(3), 1075-1080. [PDF] {IF=0.631}

[033]    Carbon, C. C., Grüter, T., Grüter, M., Weber, J. E., & Lueschow, A. (2010). Dissociation of facial attractiveness and distinctiveness processing in congenital prosopagnosia. Visual Cognition, 18(5), 641-654. [PDF] {IF=2.095}

[032]    Belke, B., Leder, H., Harsanyi, G., & Carbon, C. C. (2010). When a Picasso is a “Picasso”: The entry point in the identification of visual art. Acta Psychologica, 133(2), 191-202. [PDF] {IF=2.155}

[031]    Bohrn, I., Carbon, C. C., & Hutzler, F. (2010). Mona Lisa’s smile: Perception or deception? Psychological Science, 21(3), 378-380. [PDF] {IF=4.812}

[030]    Carbon, C. C. (2010). Cognitive continental drift: How attitudes can change the overall pattern of cognitive distances. Environment and Planning A, 42(3), 715-728. [PDF][NürnbergerNachrichten] {IF=1.726}

 

2009 {cIF= 6.038}

[029]    Derntl, B., Seidel, E-M., Kainz, E., & Carbon, C. C. (2009). Recognition of emotional expressions is affected by inversion and presentation time. Perception, 38, 1849-1862. [PDF] {IF=1.360}

[028]    Carbon, C. C. (2009). Science means jobs. On the necessity of planning reliability in science. Current Science, 95(7), 875. [PDF] {IF=0.774}

[027]    Leidenfrost, B., Strassnig, B., Schabmann, A., & Carbon, C. C. (2009). Improvement of the study situation for beginners through cascaded blended mentoring. Psychologische Rundschau, 60(2), 99-109. [PDF] {IF=1.704}

[026]    Grüter, T., Grüter, M., Bell, V., & Carbon, C. C. (2009). Visual mental imagery in congenital prosopagnosia. Neuroscience Letters, 453(3), 135-140. [PDF]  {IF=2.200}

[025]    Carbon, C. C. (2009). European publication issues from an Austrian perspective. Psychology Science Quarterly, 51, 69-87. [PDF] {IF=n.a.}

 

2008 {cIF=34.852}

[024]    Carbon, C. C. (2008). Web of Science: Science trapped in a spider’s web. Current Science, 94(10), 1234-1234. [PDF] {IF=0.737}

[023]    Carbon, C. C. (2008). Second basket's negative impact. Science, 319(5869), 1483-1483. [PDF] {IF=30.028}

[022]    Carbon, C. C., Michael, L., & Leder, H. (2008). Innovative concepts of car interiors measured by electro-dermal activity (EDA). Research in Engineering Design, 19(2-3), 143-149.[PDF] {IF=0.667}

[021]    Augustin, M. D., Leder, H., Hutzler, F., & Carbon, C. C. (2008). Style follows content. On the microgenesis of art perception. Acta Psychologica, 128(1), 127-138. PDF] {IF=2.094}

[020]    Carbon, C. C. (2008). Famous faces as icons. About the illusion of being an expert in the recognition of famous faces. Perception, 37(5), 801-806. [PDF] {IF=1.585}

[019]    Grueter, T., Grueter, M., & Carbon, C. C. (2008). Neural and genetic foundations of face recognition and prosopagnosia. Journal of Neuropsychology, 2(1), 79-97. [PDF] {IF=1.140}

 

2007 {cIF=3.227}

[018]    Carbon, C. C. (2007). Autobahn People: Distance estimations between German cities biased by social factors and the Autobahn. Lecture Notes in Artificial Intelligence, 4387, 489-500. [PDF] {IF=n.a.}

[017]    Carbon, C. C., Grueter, T., Weber, J. E., & Lueschow, A. (2007). Faces as objects of non-expertise: Processing of Thatcherised faces in congenital prosopagnosia. Perception, 36(11), 1635-1645. [PDF] {IF=1.585}

 

[016]    Carbon, C. C., Strobach, T. Langton, S., Harsányi, G., Leder, H.,. & Kovács, G. (2007). Adaptation effects of highly familiar faces: immediate and long lasting. Memory & Cognition, 35(8), 1966-1976. [PDF] {IF=1.512}

[015]    Carbon, C. C., & Leder, H. (2007). Design Evaluation: From typical problems to state-of-the-art solutions. Marketing Review St. Gallen (Thexis), 2007(2), 33-37. [PDF] {IF=n.a.}

[014]    Leder, H., Carbon, C. C., & Kreuzbauer, R. (2007). Product-design perception and brand strength. Marketing Review St. Gallen (Thexis), 2007(2), 4-7. [PDF] {IF=n.a.}

 

2006 {cIF=5.559}

[013]    Carbon, C. C., & Leder, H. (2006). The Mona Lisa effect: is 'our' Lisa fame or fake? Perception, 35(3), 411-414. [PDF] {IF=1.585}

[012]    Leder, H., & Carbon, C. C. (2006). Face-specific configural processing of relational information. British Journal of Psychology, 97(1), 19-29. [PDF] {IF=1.641}

[011]    Leder, H., Carbon, C. C., & Ripsas, A. (2006). Entitling art: Influence of title information on understanding and appreciation of paintings. Acta Psychologica, 121(2), 176-198. [PDF] {IF=2.094}

[010]    Carbon, C. C., Hutzler, F., & Minge, M. (2006). Innovation in design investigated by eye movements and pupillometry. Psychology Science, 48(2), 173-186. [PDF] {IF=n.a.}

[009]    Carbon, C. C., & Leder, H. (2006). When faces are heads! View-dependent effects of relationally and componentially altered faces. Swiss Journal of Psychology, 65(4), 245-252. [Stimuli][PDF] {IF=0.239}  

2005 {cIF=9.495}

[008]    Carbon, C. C., & Leder, H. (2005). The Repeated Evaluation Technique (RET). A method to measure dynamic effects of innovativeness and attractiveness. Applied Cognitive Psychology, 19(5), 587-601. [PDF] {IF=1.028}

[007]    Carbon, C. C., & Leder, H. (2005). Face adaptation: Changing stable representations of familiar faces within minutes? Advances in Cognitive Psychology, 1(1), 1-7. [PDF] {IF=n.a.}

[006]    Leder, H., & Carbon, C. C. (2005). Dimensions in appreciation of car interior design. Applied Cognitive Psychology, 19(5), 603-618.[PDF] {IF=1.028}

[005]    Leder, H., & Carbon, C. C. (2005). When context hinders. Learn-test-compatibility in face recognition. Quarterly Journal of Experimental Psychology, 58A(2), 235-250. [PDF] {IF=2.154}

[004]    Carbon, C. C., Schweinberger, S. R., Kaufmann, J. M. & Leder, H. (2005). The Thatcher illusion seen by the brain: An event-related brain potentials study. Cognitive Brain Research, 24(3), 544-555.[PDF] {IF=2.568}

[003]    Carbon, C. C., & Leder, H. (2005). When feature information comes first! Early processing of inverted faces. Perception, 34(9), 1117-1134. [PDF] {IF=1.585}

[002]    Carbon, C. C., & Leder, H. (2005). The Wall inside the Brain. Overestimation of distances crossing the former iron curtain. Psychonomic Bulletin & Review, 12(4), 746-750.[PDF] {IF=2.229}

 

2004 {cIF=n.a.}

[001]    Leder, H., & Carbon, C. C. (2004). Part to whole effects and configural processing in faces. Psychology Science, 46(4), 531-543. [PDF] {IF=n.a.}